Debriefing

You know sometimes things just fall in place naturally, you feel like you are auto-completing a puzzle; pieces just fit automatically and it’s a smooth ride from the start.

Well, making Maria was not one of those times. I had to cancel my exhibition once actually since my boy got a virus from his kindergarden. I had to give up months of work, just bite the bullet, and let it all vanish. I had just rented the frames, packed my works and shipped them to the gallery, then I got a call from my wife; “it’s a virus”. I knew it; to give up is the only way, abort mission, call the birds back, you know.

To my surprise, the gallery actually offered me four days from the following week, very kind of them. So I took the chance, although quite frankly, I was not in excellent mood.

The difficulties did not stop here however. In the following week while I was taking care of my feverish son, I caught a fever. 40C. I could barely get up on my feet. I knew if I let this chance pass, rest of the year for Maria is out of the question.

But I managed to make it on Sunday and with help of two important friends I could start the exhibition. Maria became a reality.

I learned something very important. It’s good to give up if you do it for the right reasons.

You have to be able to do it, because it’s never that serious or important. Sometimes it’s not just the right time; but then you also find out that the opportunity will come again. Like, when you receive gift from someone, it’s actually kind of really humbling, because all you can say is thanks. Thank you. What big and numerous gifts I received this time, not only beautiful flowers and cookies, but spiritually as well! Indeed, I want to say most humbly, “thank you”.

It’s always hard to do something like this but it really is worth of it, because of all the wonderful people who come to see my photos. It seems like Saint Maria was calling for them.. and then they wrote me these beautiful letters that made me cry.

It’s all big fun to start something and then finish it, plus, it’s great excuse to hang out with some really cool folks!

New Tsunami Video

It’s pretty shocking.

http://www.redflagnews.com/headlines/shocking-new-japan-tsunami-video-found-released

As far as I know this video seem real and taken by low-end camcorder. It’s first time to see the 3/11 tsunami in Japan from such close-hand human perspective. It’s like war.

What surprised me most however was the mood and colour of the sky. It seems so real. I remember how that day felt. I was here in Yokohama in safe distance from tsunami, but the tremors were felt strong here too, and all cellphone networks were down. It took twelve hours to get in reach with my wife.

Anyhow, people should see this since it’s reality.

From the Depths of Lizard Point

Although this one didn’t make it to the final artwork, I still love this image because it conveys so much.

Actually, the black cloth was just an experiment what I wanted to try in addition to the main set-up, a torn black camisole which exposed her much more. I shot about four rolls of TMax 400 with her wearing the camisole. Those images turned out to be cool, but it was finally the chemistry with her body and this simple black cloth which really conveyed the idea.

It was really such pleasure to work with Yuki since she has so strong talent and intuition both as an artist and as a model. It wouldn’t have been possible to make this with anyone else. I’m also very grateful for our comrade Paulo who shot video of our shooting and gave a great help for us.

I made silver gelatin prints of the five final images in Dark Room Intl. with kind guidance from the staff. These are the final prints that you will see in exhibition.  I love the feel of traditional dark room prints because every print is unique, like an artwork itself. It’s the spirit of human feeling that I wanted to convey with these works, so I’m glad I decided to use analog media.

If you’d ask me now,  “If you would keep exhibition, what kind of images would you show to convey your own inner world?” I would answer, “images like these”.

Most of Us Stand Alone

The well dressed man stands alone, without a family or beautiful sweetheart by his side. Tears no longer come to his eyes when he listens to his favorite music, and his classic record collection is now decaying in his shelf.

He comes to Yokohama because for some reason he wants to look into the sea, and this is his favorite spot. He finds the scenery of the sea calming somehow but knows no reason for it.

Before he returns to Tokyo he goes to Akarenga to check what’s going on in Motion Blue and drinks three whiskeys straight in the bar nearby. Neither his wife or girlfriend no longer gives him a call.

At 3PM, he looks at his watch. Since he’s got time, he decides to return to the office to continue his work.