Interview with an Empty Artist

Maya Sinji Jung is a Korean born artist and photographer. Her works are highly respected in both Flickr and JPG Mag. I recently got in touch with her and made an interview with her over Skype.

Jaakko: How are you, and how is everything?

Sinji:  It’s fantastic, it’s great. You know many things happened like for everyone else, but I think I’ve finally found kind of peace, in my family and in my island.. Many strange experiences, like temple stayings just came to my life, and things like that.. it’s getting good..

Jaakko: I saw your poem in JPG Mag. As many other readers, I thought it was very beautiful and unique. What inspired you to create it?

Sinji: It was actually my experience about a loss of a relationship, a very personal thing. I never really used my imagination for that and it was very natural for me to put my words and experiences into the poem. And then, I was thinking responsibilities, and lots of things which are connected..

Jaakko: And then you took those experiences and emotions and you created a beautiful art work out of that..

Sinji:  I do all kinds of things, I sing and play piano, write and sometimes I paint.. When I was student I used to stay in library all day long.. taking photos used to be just a little thing for me.

But since I started relationship it became really really big, you know. I didn’t even expect  it. And I always recorded myself to show and introduce myself to the person. And it begins like that actually, all of my photo activities, it started from that love accident, because I was ex-girlfriend of a photographer.

It (relationship) was a really big thing, you know, for me at least.. and then..  suddenly, like BOOM! It was gone! Last six months was really hard for me.. And I’m now I’m back in Korea, here in my home land. The poem I wrote was a kind of struggling with myself to identify who was I in that relationship and who am I in family and in this society.

Jaakko: Do you ever feel empty after creating a certain artwork?

Sinji: I’m always empty! (laugh)  Actually, I never feel empty after I create some art work. And I thought “maybe I’m not artist” if I don’t feel empty after that.. (laugh)  I feel empty before I make art work.

But you know, my emptiness and hunger could be the same like, shadow and a light. I’m very hungry for creating, and expressing the emptiness.

Jaakko: Does beauty equal pain?

Sinji: It could have something to do with emptiness and hunger and shadow and light.. But I don’t think that you have to be painful to create something beautiful, but..

I just saw a documentary film a few years ago about dragon fly, they stay, months or years under the water. They eat lots of things, and it looks really ugly, but it looks kind of struggling, looks painful.. to make their body grow. And I don’t know if they know that they will become dragonfly or not, but then they  come out of the water, and take off their old clothes and put on new ones..

Jaakko: Responsibility is often the theme in your works. What do you think about responsibility of a human being?

Sinji: (Responsibility).. is to know, what kind of layers you are wearing. We can’t really ask someone to take them off; we are wearing those, whether we like or not. To recognize that fact, that actually I’m wearing this layer and that layer, and people call me blah blah blah in this society, and some people call me with another name .. so you know, just accept the layers and stand there; that itself could be the responsibility.

I actually took the photo, and made the title, because I had this argument inside of myself. Someone told me that I’m doing all my responsibility, but then I couldn’t see him doing his responsibility at all in my point of view. People think that responsibility is really something big or something like that.. And then that person is trying to wear someone else’s responsibility by talking and covering up himself. What I wanted to tell us was that we don’t have to speak about it, just accept ourselves in that space, where we are standing. The big stone doesn’t know why it is there….

Jaakko: That’s a very buddhist way of thinking..

Sinji: I’m not a buddhist! (Laughs) But I experienced the time in the temple.. and maybe my philosophy is influenced by buddhism, because it was my environment too in this country, and then actually one of my parents is a buddhist. It became part of my philosophy very naturally. Well, now I see I am a buddhist.

Jaakko: What do you think about Buddhist detachment?

Sinji: It’s the fear. You don’t want to be refused, or ignored, or misunderstood by others or those you call your friends. It’s all common sense for human beings. But the distance is always there, even with your very very best friend or parents, or whoever.  The fear is always there.

But when I was in the temple, I was meditating and reading, and when I was doing that, I really focused in myself, to breath, sitting and reading sanskrit. I basically didn’t know what I was reading, but the monks gave me one page and told me to read it with my voice, following my breath.

The first day, I was just focusing on the letters and reading. And the second day, I started to think about, you know my business in my mind.  And then I asked the monk “I heard that when you do this meditation, your unnecessary thoughts have to go away, but my mind is full of regrets and full of my plans, present and future.. because I’m just sitting here!”

Then the  monk said “No problem! Just do what you do. The feelings and sadness will come to revisit you while you are reading, but just keep reading. Then the next step will come.”

And I did it.. for two days. Then I noticed while I’m reading, there are no thoughts. I might have thought occasionally the meaning of what I was reading, but actually there was nothing in my mind. I just focused on that moment and then those kind of distances between me, and my thoughts came. I felt there was really some big things going on. It was really huge experience. And then there was almost zero distance between me and others.

It might be impossible to get rid of the fear from our bodies, but if you try, maybe those little moments, will give you a kind of hint.

Jaakko: (about sadness..)

Sinji: .. in human world, where everyone’s struggling.. none of that sadness is bigger or smaller than the others. None of that can be compared. Your sadness is the biggest one for you, for me, mine is the biggest one in the world for me!

Jaakko: Yeah.. sometimes I get this feeling like “Come on, I don’t have a culture!”. Do you ever feel the same?

Sinji: You will never believe, but I know exactly what you’re speaking. You have blue eyes and white face and everyone can say you’re a white man from Europe or wherever, and then I’m Asian. We’re not mixed kids, you know, physically… So probably people will say “Oh, you have your Finnish culture, you have your Korean culture, you have your Asian culture”.

Since I was a kid I was ALWAYS a foreigner. Like “who you are?” was always the question. Whole through my life, I was a bit different.

People said to me always “oh, you’re little different”.

When I went to Japan, I really wanted to make sure that I’m treated the same as others, so I studied Japanese hard, until I mastered the language. But still, even after I had mastered Japanese, people treated me the same, they couldn’t accept “my culture”, which is made by my authentic ways, you know. Not so many people can truely accept and understand that all of us have their own culture. In that sense, I am trying to be an inter-cultural person: I am doing all my art work to share my culture with others, and hopefully it could make some kind of peaceful communication if you let me get in your world.

You can find Maya Sinji Jung’s work in Flickr: http://www.flickr.com/photos/mayasinjijung/
and in JPG Mag: http://jpgmag.com/people/mayacafe

Leica M8 Seduction

Leica’s M8 used to be a camera that I never really had interest to. Crop sensor, infrared issues (requiring filter) you know, it was Leica’s first attempt to make a digital camera and I read many negative reviews about it.

I just thought that I would rather go for M6 and get a full frame camera via 35mm film and be happy for the rest of my life.

But now, since M8’s price came down (in fact you can get used M8 with around same cost as Fujifilm X-PRO) I find myself attracted to this camera. M8 is less than half the price of M9, and still it is a real rangefinder Leica, and accepts all the great optics.

The shortcomings of the M8, such as poor JPG’s, requirement of infrared filter, and the crop sensor, doesn’t weight so much in my scale. For me I care much more about the spirit of rangefinder focusing, feeling connected to the scene you’re shooting.. and of course, the culture of manual photography which is so genuinely embraced by Leica.

In transition

I have arrived to my wife’s hometown in Mie. I was planning to stay in Yokohama until end of this week, because of Yokohama Art Department event which was organized by my friends in Art Mania.

But since my wife is pregnant and the baby seems to come earlier than expected, I decided I must return here as soon as possible.

Island Mother shooting and the Monday’s session after it, with my friend Saeko Nakahara, was very fascinating and emotionally moving process.

I feel humbled by it, and you know, being such a crybaby, I couldn’t stop my tears. The theme itself is about life and death, and one’s passing through life.  Saeko was totally amazing. I have never met anyone so talented in my life so far.

Perhaps it wouldn’t be wrong to say that part of me was burned away in the process of making these images.

And I’m saved by it.

The images are completed now, and there’s nothing more to add.

I hope I will continue to have the necessary courage to fight and challenge myself. Because it’s my job to take a photo.

What's Interesting Photo?

You know photos that attempt to tell a story.. Maybe the photo is just a photo of something ordinary, but it’s taken so that it shows the character of the photographer or the subject. Maybe it’s the situation that reveals something, or maybe photographer’s relationship to the context.

But there’s got to be something.

You know that dull feeling of seeing someone’s travel photos for example. Watching boring travel photos feels like a punishment. Photos that document hotel breakfasts, airplane wings or famous landmarks, for example..

While I suppose it’s possible to photograph airplane wing so that it’s interesting; I wish people were just a bit more creative what comes to selecting their subjects.

Immediately when there’s a person inside the frame, the photo becomes much more interesting. Especially if the person is doing something (except posing).

Eye catching photo is always something a bit different. Maybe it’s the geometry or composition of the photo, or maybe it’s the mere situation itself, or unique light.

Decayed buildings, for example used to be interesting, at least until they became a popular trend.There are tons and tons of photos of rotten and rusty buildings and the photos have nothing particularly interesting about them.

So.. context is not enough. A photo must have a soul. It’s not about mastering the technique of the photo, but getting into the right spirit of capturing the moment.

Henri Cartier-Bresson said that “photography is about placing heart, mind and eye in the same line of sight”. It requires understanding of geometry and framing. To achieve this kind of understanding, one must shoot a lot.

Learn the rules and then learn how to break them.

Danger Coast

I went to Tojimbo cliffs in Fukui Prefecture some years back. The place was just as eerie as it’s reputation as famous place for suicides in Japan. The cliff’s shape was very unique and sharp rocks looked very lethal.

There are free telephone booths which can be used to call for help, should one find himself in desperate situation, and also people patrolling the area. All of these are organized by volunteer force.

Japan’s suicide rate is among the highest in the world. There are about 24,4 suicides per 100,000 people. Japan was ranked second in 2009, after Russia.

While mass media is thriving..

Simplicity

I realized recently that actually I’m not so interested about cameras. Sure I have some interest, especially in old film cameras (Leica M series especially) and the philosophy behind the old photography. But there is endless number of blogs in web dealing with questions such as what camera should one buy, which lens is sharp and which camera brand to choose.

This camera has automatic landscape mode, pet face detection, and this camera, oh-my-god! It can go so high ISO that it can shoot black insects in coal mines without flash! And look at this zoom lens!

It feels like perfectly creative peoples minds are consumed by the technological possibilities.

In order to focus in photography, I decided to be simple regarding the gear. If I’m doing my own art photos I usually use my Fujifilm X100 and nothing else. I have the cheap flash unit for it (fits in pocket easily) and I use it rarely as a fill flash, but that’s all.

Simple images have power. I’d like the process of taking a photo to be as simple and unobtrusive as possible.

Habu: "夢に向かって" "Towards the Dream"

A friend gave me this photo book by Habu some years ago. I love it. The skies and landscapes are amazing and meditative. My favorite photo is on page 24 in Taddert Morocco, where a bird is captured in godrays..

The photos are like small windows into another world. They are oddly vacant but yet hypnotic.

I am really interested to know more about the photographer. Here is what appears to be Habu’s official homepage.

Landscapes

Photos of landscapes help us to see how beautiful our planet actually is. There are many great landscape photographers here in Japan. And you can’t mention landscape photography in Japan without mentioning Habu..

Photographer is like a painter who seeks to capture the beauty on this planet.

It makes me think of many things.. How to be more aware of my surroundings, and how to look at the scenery in some new way..

Sky is the limit..

High Contrast

I have always loved the high and rich contrast photos with cinema like salmiakki-crushed-blacks. I took this photo with X100 in Minato Mirai.