Love is Black and White!

Welcome to my fifth private photo exhibition in Japan!

I will hold two special events, one in 4th of July and one in 18th with my piano live and free session with other musicians. The events start from 13:00 in afternoon. Entrance is free of charge.

食べ物、飲み物、持ち込み自由です。 お好きなものを、ご持参下さい。
Please bring your own favourite foods and drinks.

The Facebook event is here.

Few minutes walk from Koenji station
http://koenjigoodman.web.fc2.com/
〒167-0003 東京都杉並区高円寺南 3-58-17 プラザUSA 201
090-9395-3576

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Tondo

I joined Tondo. The concept of open and non-commercial art community is so great. So far there has been none successful ones. The site shows promise and there are a lot of activity already . I sincerely wish this will be success.

UPDATE: Sadly the site became inaccessible several times during my first try “Safari Can’t find the server”.

10 Great Japanese Photo Books

Great Japanese Photo Books

Here is my list of 10 great Japanese photo books. The list is unordered and does not represent necessarily the greatest photo books there are. Japanese photography is amazing because it’s so diverse; all genres are so strongly represented. Myself I like certain kind of photography, so  I wanted to choose the ones that I love most.

Hotaru (Firefly)
Mizoguchi Yoshio

Kamaitachi
Hosoe Eikoh

Baby Baby
Kawashima Kotori

Satchin
Araki

Farewell Photography
Moriyama Daido

Nadia
Sawatari Hajime

Looking for Forest
Hayashida Setsuko

Nadya’s Village
Motohashi Seiichi

Degree Zero
Nakahira Takuma

Love and Death
Araki

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Notes:

  1. Although I like Miraichan by Kawashima Kotori and it’s important photo book I like Baby Baby even more . It’s lesser known, so it deserves a mention.
  2. I simply cannot mention Araki without mentioning both Love and Death and Satchin since both are his signature work.
  3. Hayashida Setsuko’s photo book “Looking for Forest 「森をさがす」of my hometown is a fantastic photo book.
  4. Although Moriyama Daido has published several important photo books I felt Farewell Photography is his strongest work.

Library Visit, June

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I went to visit a library. I borrowed the photo books, Anti-Memory, Contemporary Photography II, Nakahira Takuma’s Degree Zero Yokohama, and Motohashi Seiichi’s Nadya’s Village.

The box in my hands

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This year I made a special new year’s resolution. I made a promise not to buy a single camera this year. This promise has been a best promise I have ever made. (And I have been able to keep it so far)

I get the sense that photographer is now more than ever, slave of a camera. World is flooded with the digital apparatus that are designed to create desire and make picture taking as simple and easy as possible. There are tons of new advanced features that make getting a technically pristine picture easier.

I remember the original Olympus Pen (film camera) advertisement, “Taking great photographs has never been this easy!”. Now in the era of smartphones the advertisement seems almost silly or ironic.

It is almost as if camera has became a fashion accessory for photographers. Then, I can’t help but feel sad about this situation. Because much potential for interesting conversation (and photo taking!) is being lost.

There is great saying, “Big minds talk ideas, small minds talk people”.
I say; big photographers talk photos, small photographers talk cameras.

Now as I have focused less and less in the photocopying apparatus and more in the photos, I notice my mind is lighter; I just use what I have. And I have more time to think about the mood of the photo, and setting.

In Finnish language, tool is referred as to having “jotain kättä pidempää” (something longer than your hand). This refers to having extended leverage at your disposal. Yes. I have a lever or button in my hands, sort of. And I’m there, you know, with you.

Of course some kind of camera is necessary to take a photo. However, as Araki said, if you have burning desire to write a love letter, it doesn’t matter if it’s pencil or ball point pen.

I don’t have Leica or anything really expensive or special. Just couple of normal cameras. I never keep any cameras what I don’t actively use. I have given some cameras to my friends before.

Then, honestly, these days I don’t particularly enjoy watching cameras or talk about them. No matter how great camera I would get, I wouldn’t be able to take it with me after I die. And we will all die, you know. But the feeling of being in some place and meeting some beautiful people, with my heart beating a little fast.. now that might be forever.

There is excellent article about GAS (Gear Acquisition Syndrome) by Eric Kim. I recommend to read it.

Simon Baker / Tate in Tokyo 

I was really impressed by Simon Baker’s presentation regarding Japanese photography in Japan Foundation today.

He showed several Japanese photographers works that are so important for me as well, for example Kamaitachi, Otoko to Onna, Farewell Photography, just to mention few.

His genuine love for Japanese photography was so transparent.

He pointed out: “Even though Moriyama is a better photographer than Man Ray you can get hundreds of Moriyamas (photo prints) with cost of one Man Ray”.

Photo Exhibition

I will be holding photo exhibition in Koenji Goodman in July. The place is open during night time from 19:00 in weekends for jazz lives. I will also play the vintage Steinway in 7/4 and 7/18 in afternoon. Please come and enjoy! I will post more details later.

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