Buying a Camera

As a professional photographer, the most asked question I get might be, “what kind of camera should I buy”. A friend recently presented me this question, and opportunity to consider.

I strongly believe joy of photography is never about the  camera. Araki said once that if taking a photo is like writing a love letter, any camera will do. When you have passion, you use whatever you have at your disposal, it doesn’t matter if it’s ballpoint pen or pencil.  There is a rumour that famous Japanese photographer Moriyama Daido has never even bought a camera, but used compact  cameras presented to him by his friends.

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I generally recommend people to avoid buying too expensive gear, whether analog or digital. The friend I mentioned was wondering whether he should get one with full frame sensor or not. Indeed it’s tempting and  I have been weak for this temptation too. Seeing the specs of latest and greatest full frame cameras crop sensor feels like a compromise. Same thing happens with film rangefinder cameras, Bessa for example seems like a cheap clone of Leica, lacking the same historical magnitude and “properness” of the “real thing” despite the fact that they use same mount and can even use same lenses.

It’s tempting to think that having such great (or even legendary!) camera at your disposal might inspire you to take more pictures. This is a common illusion. I would propose that having too expensive camera might kill the very joy of photography; guide you to the wrong track. Eric Kim wrote excellent piece on GAS, Gear Acquisition Syndrome.  Please read it before you invest money into expensive camera.

But for sure in world of digital photography, there must be a difference in image quality of cameras? There are, and each camera has their own feel what comes to colour reproduction and fidelity. But no matter how you put it; all digital cameras that are sold nowadays have a ridiculously good IQ. Heck, even iPhone can take photos that have ridiculously good image quality.

But… for sure cameras are beautiful objects with stunning cultural value? Especially that Japan Camera Hunter Leica M3 which is in perfect mint condition, or perhaps some brass showing underneath.

Well, let me ask you this, are you willing to take that mint camera with you when you go hiking? A bear might eat it! You might accidentally pee on it. Or what if it gets stolen? Will you be able to replace it? In the contrary to urban legend, even professional photographers do occasionally drop their cameras.

Instead of keeping it with you, would you be more likely to leave the expensive camera in it’s padded expensive box, tucked in the safe corner of your bookshelf?

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I do not know the answer to that question. But I have borrowed my friend’s rare copy of Leica M6 with a brand new lens, protective UV filter on it and all. It was some sort of rare collector’s edition. My friend didn’t want me to use a neck strap because the strap might scratch the camera.

As you might expect I did not take very many pictures with the camera. I was afraid to even point my eyes on that thing for too long.

I would like to approach the problem from purely practical standpoint.  What will you shoot and in what kind of lighting conditions?

Digital Camera Recommendation

It seems like the megapixel race has calmed down somewhat during the past years but I’ll write this; digital camera megapixel count and actual resolution are different matters. Often a camera with smaller megapixel count might even do better and achieve a better image quality. This was the case with EOS50D. The increased megapixel count versus the previous model EOS40D worsened the image quality somewhat and caused some softness to the images. I would even argue that images taken with my X100 allow to be further enlargements than ones with my 50D despite the fact that 50D has larger sensor. I would argue that megapixel count is a minor factor to consider, unless you plan to make very large prints.

Fujifilm Finepix X100For someone new to photography, I would recommend Olympus Pen series, or other mirrorless cameras that allow you to change optics, such as Fujifilm. Having at least one prime lens (a lens with fixed focal length) is a great way to get accustomed to good photographic techniques such as zooming with your feet and getting more connected with your subject. Prime lenses are also sharper. Normal lens range (50mm) is a good starting point.

If you are OK with a fixed lens camera, there are great cameras such as later Ricoh GR and Fujifilm X100 series (get the upgraded models with S or T in them). I personally love my Fujifilm X100 and it’s hybrid viewfinder.

Those shooting bands in nightclubs (or black cats in coal mines) I would recommend SLR combined with a fast lens, at least lens with F2.8 aperture.

I would not buy a digital camera by Leica.

Film Camera Recommendation

Those who are into film photography get a real treat these days. Old film SLRs by Nikon for example are great cameras and they can found stupid cheap. (These are full frame cameras too, you know.) They also offer nifty features such as split image focusing using same technique as in rangefinder cameras.

Those looking for compact camera, I would recommend Fujifilm Klasse W, Fujifilm Natura, or Contax Tvs II.

Rangefinder cameras are also fascinating and there is huge appeal to them as they allow more intimate feeling of taking a photo. Leica’s M series are legendary cameras and if you have the money to get them, they will last you a lifetime. I personally love my Bessa R3m and I have nothing bad to say about it; for me it’s just like using a Leica. I have shot tons of Tri-X and Ektar with it.

Truth about film cameras is that there are a lot of them lying around someplace. Perhaps your father or mother has one hidden somewhere in the family cupboard. To experiment with these cameras can be exciting.

Conclusion

Spending time in gear forums and comparing different cameras is all time spent not taking photos. Think about buying a camera as long time commitment; as something that will be your special partner for long time. Use what you have, and take a lot of photos. No matter how great camera you acquire, you can’t take it with you after you die.

Session with Beautiful Kayo

I had great chance to have a little photo session with my friend and fellow cameraman Kayo. She turned out to be such a cute model with great intuition. Perhaps her intuition for being model came from her own experience as a photographer.

This image turned out to be the winner of yesterday’s shoot; there’s something that just turned right about this photo.

I used off-camera speedlite to add a bit of illumination to the subject with TTL turned off and manually dialing down the power of the flash so that it doesn’t overpower the ambient light which was already good to start. I removed flash spots from her eyes in Photoshop as they were a bit distracting from that angle.

I learned that in this situation, a bit off-camera flash can actually help to raise the overall exposure a bit, and remove some of the darker shades of the face which often result when shooting in outdoor shade. I always bring either flash or reflector as it can really help to add bit of necessary light to the subject.

State of Flickr App in Japan

Now that the new Flickr refresh is out, you’d wonder if Flickr is going to do anything about the Flickr iOS App availability in Japan.

Those adds to the app “Wherevr” that appear when browsing with iOS devices are so annoying since they take you nowhere, you get alert which reports that the item is not available in the Japanese store. Not quite wherevr.

Flickr got Refresh

Wow, so Flickr got refresh. It’s funny since I was just thinking about it.

I generally like the update from the visual sense; especially the default way of viewing photo streams. It just looks much better now that images are arranged into a kind of nice, beautiful layout.  The Terabyte thing doesn’t really matter to me since I don’t think I’ll ever upload that many photos and I have pro account anyway which doesn’t have the upload limit.

Overall, I’m really glad about the refresh and the cover photo is nice little touch. See my flickr here.

Evening Moment

Here’s one of the non-flash images I shot with X100. Had some big troubles with autofocus in this dim light. ISO3200 is really clean what comes to noise. In fact I added some grain to this in Lightroom to make the image look more dynamic.

I realized however that having flash is a must for this type of outdoor night photography.

Losing Interest

These days I’m losing interest in cameras. Maybe it’s similar to a farmer who loses interest in his pitchfork?
Sure we got to know how the basics of using agricultural tools if we happen to be farmers. But farmer doesn’t wake up in the morning thinking of his shiny new pitchfork and spend his time polishing it, right?
Like the farmer dreams of the good harvest, photographer dreams of the perfect picture. The creation itself is simply the thing. It should be.
Indeed I feel sick about the capitalism that exists in the world of photography. Camera is nothing but a light-proof box. So use whatever you have!

Business Card

Past years I have had a series of business cards, all featuring my “birdie” logo. The previous versions of my business card have titled me as “visualist”, a general word that refers to my visual work in broader sense, mostly of course web design, 3D graphics and such. It could be even said that “visualist” do video, which I have done, although not quite enough.

However, since I have ran out of my business cards, it’s time to make a new one. I thought I will just go ahead and write “photographer” in it. Honestly, I am somehow a bit ashamed to call myself as photographer since I still feel I’m a total beginner. Even in formal sense, I’m just a photography student at the moment.

But it wouldn’t make much sense to write “student of photography” to the business card, now wouldn’t there?

I solve this dilemma by admitting that I will never be quite finished with my studies, any real photographer would say so about their own career as well; it’s a journey. So I hope you’ll forgive me.

Important Thing

Probably all would agree that equipment management is crucial for working photographers. It’s not very professional to arrive to set and notice your battery is empty or even worse, missing.

Canon’s camera manual advices you to make test shots before important shoots, or even take camera to be checked up by Canon’s authorised service professionals for check-up. Sound advice, I say.

I have a principle to always have backup for everything, including the camera body. Even though modern DSLRs have sensor cleaning mechanisms, it is possible that something gets to the sensor, piece of hair or skin for example. Bulb blower is a must have, but sometimes even that doesn’t help. Bring extra body, just in case something goes wrong. And camera’s shutter has always a limited lifespan anyway, so sooner or later it’s going to break. Extra camera body might save your day and reputation.

And after the shot, take super good care of that memory card. It’s like your digital negative. Now that we have tools like iPad, it’s very handy to have one of those camera connection kits (especially with Retina display iPad) with you. It’s great for on-location previews and backups.

There are some theories that large memory cards might be more prone to failure than smaller ones. I am still shooting with 16GB card and it’s unlikely that I would ever get larger card than that. And if you split the shoot to two cards, even if one of the card fails, you wouldn’t lose everything. So far, I have never had memory card failing on me, but I have heard many horror stories.. especially after someone has shot a multi-million-yen wedding.

Rather than deleting photos from memory card, I would recommend formatting it. I have heard this reduces the chance of getting some kind of (eh, I don’t really know what I’m talking about) logical error in the data of the disk.

So, the lesson here is that pro or semi-pro photographer must take very good care of his/her gear. That gear is probably expensive (and if you are sports photographer VERY expensive), and it’s your lifeline really, much like parachute is for skydivers.

If you do pro shoots daily, my advice is to keep every necessary item in your camera bag always when you are in home or studio. Then you will get into the habit of never forgetting anything, and basically just recharge batteries and format memory cards in advance, and then take that bag and you’ll be ok.

Good luck for shooting!