I bought recently some flash stuff for my EOS system, and one of them was the Off-Camera Shoe Cord OC-E3 which is notoriously expensive piece of wire. When I got my Speedlite transmitter to my Canon this became pretty much obsolete, so I tried it to my Fujifilm X100 and the cheapo EF-20 flashy and it works! This will stay in my bag with X100.
Printing Lizard Point
I had great time making first prints for Lizard Point photos in Dark Room Intl. in Yokohama. I was really glad to get advice and guidance from the kind people there.
I really love the look of real silver-halide prints. They look substantial and delightfully analogue. Since I was after the high contrast, I felt I really chose the right medium this time by choosing film versus digital.
Gallery Updated
I updated the gallery with Lizard Point.
Flower Censorship
If we accept censorship of nude photography, then we must definably start to censor photos all kinds of flowers immediately.
Thanks Flickr!
My photo got selected to Flickr Explore. Thanks!
Hänelle joka kuihtuneita kukkia kastelee (Part 2)
Second part of my work “Hänelle joka kuihtuneita kukkia kastelee” (For her who waters emaciated flowers).
This line is actually one of my favorite lines from movie “Hana-bi” by Kitano Takeshi. I really like how it sounds in Finnish and I think the translation went somehow like this. This appears in a scene where the main character’s terminally ill wife is giving water to dead plants and is interrupted by a passersby who asks her something along these lines, “are you stupid? Who waters emaciated plants?” Takeshi beats crap out of the guy.
Flowers never lose their gracefulness even after their death.
Art Museum censored by Facebook
Kuka kuihtuneita kukkia kastelee?
Dedicated for the one watering emaciated flowers.
Lizard Point Exhibition
5月の26日から個展やります。 ばしょは『Bar沙羅』ぜひきてください!
I will keep my new private exhibition from 26th of May in Bar Sara near Gakugei Daigaku station. The exhibition will last two weeks until 9th of June. If you are near the area, do drop by and taste some of the exquisite alcohol as well.
Bar Sara is a simple but very attractive place. The owner has a remarkable and unique taste for art and beauty. I am really honored by this chance.
Regarding Araki's Photos
“Upon closer scrutiny, his subjects are always alone, finding contact difficult, as if preoccupied by a sense of absurdity, a sense that communication between human beings trapped in solitude is impossible.”
Germano Celant’s description of Araki’s photos is remarkably deep and true. This is the very reason why I like Araki; it’s the very loneliness that’s realised in often erotic subject matter. His subjects never look satisfied, but rather isolated and needy; the women look almost like as if they are orphans missing their long lost family members. Solitude fascinates me; that’s why I love Araki.
Sentimental Journey is undoubtedly one of his most personal and most powerful words. The universal message of extreme solitude and loneliness goes across the language and any cultural barrier. I was almost literally in shock for a period of time after seeing the photo series; it was just so powerful message.
Although Araki can be considered very Japanese photographer, he is at the same time very international, because art itself knows no borders. It could very well be that Araki is and will be my favourite photographer.

