Thoughts on home country

Living 19 years in Japan, how often I have been asked “Don’t you miss back home?”. It is one of the standard questions foreigners in Japan get asked, along with “do you like natto?”.

I haven’t been able to answer that question really honestly or deeply. “Sure of course”, has been one of the versions I have offered as an easy answer. It is true, but there is more to it than that.

It takes some time and distance, to truly understand the meaning of a home country. In fact I have lived more longer in a foreign country than in my own home town. It is only now that I understand what I truly felt about living in Finland.

To return back, feeling the atmosphere, smells and climate, it’s such a feeling that only those living permanently abroad can understand.

The smell of the wooden floor of Helsinki airport is what hits home first. That special sweet kind of smell, I am not quite sure what that is. The air even feels different here.

When I lived in Espoo, I used to spend a lot of time alone, just by myself. And I used to hang out in Helsinki Airport a lot. I listened Brian Eno in my iPod and looked at departing planes. And I was reading Banana Yoshimoto or edgy novels of Kenzaburo Oe. And I always dreamed of flying to Japan.

Dreams tend to come true. So not before long I found myself living in Japan permanently.

To me as of now, Finland to me feels as innocent as my dream was about living in Japan.

There was a time that I just felt I had to get away. I hurt my back in the compulsory Finnish Defense Forces training, and was released from service under special circumstances. My father did not take it well, seeing me as a somewhat challenged child.

I just had to go, no question about it. And now it feels like years have stretched longer than I thought.

Loving something or someone, that always is a very private feeling. When there is real love, there can never be one reason to it. We just either love or we don’t. Not being able to explain it is usually sign that the love is real.

Questioning one’s own identity, looking at places I have lived long time ago, is a powerful, purifying thing. It enables us to know ourselves more. I am still on that journey, maybe perhaps now more than ever.

Now at age of 46 I recognize how lucky I am to know these two worlds.
I feel like I have had chance to live two lifetimes.

We humans are not smart enough to understand time. And nostalgy is a mirror into ourselves.

I really recommend to experience living abroad. It is worth it, even if you decide to return.

Tomoko

I had recently a reunion with Tomoko. She came to visit my office in Yokohama before it got dismantled. (I am now officially, a homeless man with no office).

We laughed a lot and had such a good time.

I took her photo first time many years ago. Then her photos were shown in my exhibitions over the years.

I thought they are some of the closest photos to what I think my photography is as it’s best.

In one of my favorite photos she was wearing a fluffy soft muffler, the same that my son used to wear when I took him to kindergarten.

Printing this photo in dark room from the negative, a chill ran down my spine. This got that something in it. Not sure what it is though.

I always said that my photos have a sentimental feel to them, and that sentimentality is a necessity for photographs. I don’t think I knew exactly how right I was; it hits harder since passing of every year.

But then, Tomoko was always so playful and she has a mischievous nature, elevating the photos we took into more than just calm sentiment. She seemed to challenge my idea of what I think the moment should be – laughing and goofing around in unexpected moment.

Photographer is always alone. There is something about this journey that needs to be experienced alone, otherwise it loses it’s power.

We can never view the world through eyes of others, we got to experience it alone.

I would like to think these photos are quite close to what I think my photography is.

But it could also be, that this is nothing but a beginning.

June Monologue, Day 17

Recently I have had headache, like this pressure behind my right eye. It comes and goes. I think it might be just sinutisis. So I am having my own treatment for it, drinking lots of water and a special herb tea. (Plus a humidifier). It has always kept this at bay and I think it will this time too. I don’t like taking pain killers because they feel like cheating. I want my body to tell me the truth.

There is possibility that it is not sinutisis and it’s something worse. I am actually glad about this possibility, because this forces me to saviour every moment of the remaining time I have left in this world. We only have now.

It’s rainy season in Japan. Somehow I have to write. I don’t know why.

Recently I saw exhibition of my friend Yoshimi Yokoyama, called “Praha, Monologue”. I was so impressed. How long has it been since I felt so much about pictures? Yokoyama’s photos made a permanent influence in my life. Photography should be honest and innocent like this. ”Praha, Monologue” is a rare flower .

There was another thing about the exhibition that really moved me, it was the music, Avalon Sutra by Harold Budd that was played in the gallery. I can understand exactly why the owner of the gallery chose it.

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The owner of the gallery was  so kind and warm hearted. Even my 4 year old son got a  crying fit, (he just wanted to stay longer, didn’t want to return), the owner just smiled and made us relax. He even sent me a warm message afterwards and asked me to visit again with my son.

I continue to insist that art is necessary for life. We cannot live with food and water alone. We maybe able to survive, but surviving can not substitute living. We need emotional impact to drive us to seek for a higher place. Art is that impact.

Beauty is actually kind of dangerous, like the title of Harold Budd’s song, “It’s Steeper Near the Roses” says. Art needs risk, like standing on incline. But if we never stand on incline, we will never get higher.

If there is one thing that I have hold on to during all these years that have passed, it is to assert that I am not afraid of beauty. I will not run away from the beautiful place. We will get tired at entertainment, but never beauty.

Good thing about growing older is that we start to care less about the little nuisance. Slowly we start to realise that we have nothing to lose. We will surely pass away. Absolutely, completely certainly, there’s no question about it. Even gods will die. We will slow down.

Freedom does not mean a plane ticket to somewhere. I don’t want to go to other place. I will choose my thoughts by myself. I cannot choose the wind I am facing,  but I can choose my approach, my attitude, like in aviation world.

I am 37 years old. It feels like a fresh start.

Pray

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Food is not enough to live. It may be enough for surviving, but surviving cannot substitute living. We need spiritual nourishment to feel alive. We need a way to grow.

If this is a journey, then photography is a means of transportation for me. It is my way for getting to the other side.

I do not particularly like comfort. It’s not that I want to be uncomfortable, and we all need a sense of security too. But I do not take photos because it’s fun.

Sure, you could say it’s kind of fun. It is definitely not boring, and it’s such a great excuse to meet other people. And I like to discuss about photography with strangers. But it’s is sometimes like getting naked in front of others. They can see you, but you can’t see them; you are exposed while they are under protective covers. Especially when you exhibit your work.

How many times I have said that I will quit? Well, too many times. I should stop doing that. But somehow, I always end up returning, just like this.

Then, photography is a way for me to feel free and connected.

I wish we humans would have more opportunities to enhance ourselves spiritually in our daily lives.
This wish is my prayer. I pray for the spontaneous conversation to happen.

Turning Wind

I had great time shooting pictures with couturier Michiru Murakami and dancer Yu Kimura.
I got goosebumps when I saw her performing! She has such great intuition and raw talent.

It’s days like these when I truly realise that I was born to take a photo.

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Love is Black and White! 7/4 at Goodman

It was such a special day! I really felt moved by the beautiful people who came.
I had great time playing piano with my brother Ida-san. Music will come soon.
Also there was spontaneous session with two special artists. What a delight!
Thank you all for coming to this event. You made it so special.

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