Thank you Yokohama Seasider! I’m so happy to be there.
If you are in Yokohama area during 23-29 of this month, make sure to drop by in Noge.

Because all what we have is now
Thank you Yokohama Seasider! I’m so happy to be there.
If you are in Yokohama area during 23-29 of this month, make sure to drop by in Noge.
Ektar 100 is a ultra-fine grain color negative film, which is designed for outdoor and studio shots. According to wikipedia it is rated as semi-professional film (although in the box it says Kodak Professional). The old Ektar was discontinued in 1994; Ektar 100 is relatively new film, based in new technology.
The results I get with Ektar 100 are amazing. There’s tons of dynamic range in the photos while the photos are rich in contrast. Colors are vivid and very natural. Even with my EOS 5D Mark II I find it difficult to achieve result that would be similarly natural or pleasing.
The film seems to respond especially well to the outdoor light and the results are immediately usable. There’s something a bit extra there what could be the magic of the film. I find that attractive and kind of “honest” to the scene I am shooting. I suppose it has something to do with white balance, digital cameras do auto white balance (if you set them to do it) while with film you kind of get what you see or whatever the film is balanced to. Ektar is really close to the dream I have always had about the perfect photo in means of the color and mood. It’s easy to fall in love with this film.
This is ISO 100 film so in rainy days it might be quite difficult to get the proper exposure unless you bring a tripod. Ektar 100 is also used for studio shooting and product shots and in Kodak’s site they actually recommend this film for those uses, likely because the photos with last some serious enlarging.
Indeed it seems that Ektar 100 shots can be enlarged very nicely, as long the scans are made properly and are a good quality. To get the scans correctly inverted requires a profile from your scanning software for this emulsion. Without the profile Ektar 100 can be tricky to scan. SilverFast Negafix plugin does feature it which is the reason why I decided to get Plustek scanner which is developed together with SilverFast (of course SilverFast comes included).
Shooting film in general is very different from shooting digital and getting to know different film stocks is necessary in order to know in advance what to get. Ektar 100 delivers for me and it is quickly becoming one of my main tools.



I had recently a pleasure to shoot documentary of Pinpinco working with her project “More Than The Face” in Bank Art Studio NYK.
Find out more about Pinpinco at her website: http://pinpinco.com
Getting tired is natural. We work hard to make something what we strongly believe in, and our energy drains out during the process.
When I was playing in a band in Tokyo, I often experienced this quite painful emptiness after the stage. I didn’t really know what to do the next day when I woke up. I could still hear the music in my mind, but the people before me had disappeared somewhere. Food had lost it’s taste and all I wanted to do was to return back to the stage. Play one more song and hang out more with my bandmates.
I put myself to it so much, I really loved to play for audience with my band members. It was great! And I suppose after the live, I always felt I had done something what I needed to do. Kind of burned myself away a bit, like a candle.
Doing my own photo shoot with a model in some location, somehow reminds me of that time in those smoky small live houses in Koenji. I still get same feeling of painful emptiness when the job is done; when the works are finally out of my hands. There’s really nothing you can do. You’ve put yourself to it, and you’ve got to release it; set it free.
It’s like giving a painful birth to a child, only to watch the child to mature and leave you alone. I’m talking about that kind of emptiness.
But what I notice now, after all these years, is that it does get easier every time.
If you are professional of your craft, you have to earn your living by what you do. You know how it goes and you will be empty at times but you learn how to ignore that feeling, and keep doing your job. Because your income depends on it.
Like in life, we shouldn’t ignore the emotions that arise, but still we must keep them in check somehow, because there are practical things we have to take care of.
Buddhist detachment might help in this regard. If we get distance, we can act more professionally. Doing something emotionally powerful will always bring up emotions in us, like it or not, and we must deal with them, but if we learn how to take distance to ourselves (sort of stepping away from the equation) it gets a whole a lot easier.
When it gets really hard, when under the weather, I tell myself: “Jaakko, you’ve made it this far! Look at yourself!”. Indeed, I’ve made this far. This is who I am and this is what I am. I was born this way, and I’ve chosen this path.
Regarding Edmund Burke’s famous quote (on war and peace):
“All that is necessary for the triumph of evil is that good men do nothing.”
I think it should be:
“All that is necessary for the triumph of peace is that good men do nothing.”
Photos of landscapes help us to see how beautiful our planet actually is. There are many great landscape photographers here in Japan. And you can’t mention landscape photography in Japan without mentioning Habu..
Photographer is like a painter who seeks to capture the beauty on this planet.
It makes me think of many things.. How to be more aware of my surroundings, and how to look at the scenery in some new way..
Sky is the limit..
I have always loved the high and rich contrast photos with cinema like salmiakki-crushed-blacks. I took this photo with X100 in Minato Mirai.
It should go without saying.