Library Visit, June

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I went to visit a library. I borrowed the photo books, Anti-Memory, Contemporary Photography II, Nakahira Takuma’s Degree Zero Yokohama, and Motohashi Seiichi’s Nadya’s Village.

The box in my hands

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This year I made a special new year’s resolution. I made a promise not to buy a single camera this year. This promise has been a best promise I have ever made. (And I have been able to keep it so far)

I get the sense that photographer is now more than ever, slave of a camera. World is flooded with the digital apparatus that are designed to create desire and make picture taking as simple and easy as possible. There are tons of new advanced features that make getting a technically pristine picture easier.

I remember the original Olympus Pen (film camera) advertisement, “Taking great photographs has never been this easy!”. Now in the era of smartphones the advertisement seems almost silly or ironic.

It is almost as if camera has became a fashion accessory for photographers. Then, I can’t help but feel sad about this situation. Because much potential for interesting conversation (and photo taking!) is being lost.

There is great saying, “Big minds talk ideas, small minds talk people”.
I say; big photographers talk photos, small photographers talk cameras.

Now as I have focused less and less in the photocopying apparatus and more in the photos, I notice my mind is lighter; I just use what I have. And I have more time to think about the mood of the photo, and setting.

In Finnish language, tool is referred as to having “jotain kättä pidempää” (something longer than your hand). This refers to having extended leverage at your disposal. Yes. I have a lever or button in my hands, sort of. And I’m there, you know, with you.

Of course some kind of camera is necessary to take a photo. However, as Araki said, if you have burning desire to write a love letter, it doesn’t matter if it’s pencil or ball point pen.

I don’t have Leica or anything really expensive or special. Just couple of normal cameras. I never keep any cameras what I don’t actively use. I have given some cameras to my friends before.

Then, honestly, these days I don’t particularly enjoy watching cameras or talk about them. No matter how great camera I would get, I wouldn’t be able to take it with me after I die. And we will all die, you know. But the feeling of being in some place and meeting some beautiful people, with my heart beating a little fast.. now that might be forever.

There is excellent article about GAS (Gear Acquisition Syndrome) by Eric Kim. I recommend to read it.

Simon Baker / Tate in Tokyo 

I was really impressed by Simon Baker’s presentation regarding Japanese photography in Japan Foundation today.

He showed several Japanese photographers works that are so important for me as well, for example Kamaitachi, Otoko to Onna, Farewell Photography, just to mention few.

His genuine love for Japanese photography was so transparent.

He pointed out: “Even though Moriyama is a better photographer than Man Ray you can get hundreds of Moriyamas (photo prints) with cost of one Man Ray”.

Photo Exhibition

I will be holding photo exhibition in Koenji Goodman in July. The place is open during night time from 19:00 in weekends for jazz lives. I will also play the vintage Steinway in 7/4 and 7/18 in afternoon. Please come and enjoy! I will post more details later.

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Passion

Photography needs passion. Passion must be born inside. Like a tiny spark in dark forest, bursting into a flame.

From inner space to outer space.
From my heart to the world.

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Amy

Amy

With Amy in one rainy December afternoon in Tokyo.

Protection

When I take photo I wish protection to my subject
Maybe she does not need it
I know

So maybe it’s her glow I wish to protect
That tiny glow in the warm shadow

Or is it me who needs of that protection

Lend me an umbrella
make me a shade

Goodman

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I went to plan my photo exhibition today in Goodman, Koenji. I met this lovely photographer who exhibited her works printed on wood. I loved especially the photo she took in Angkor Wat. I took her photo. It was so good time.

I also touched the old Steinway which sounded lovely. I played session with my old friend Ida-san, bassist. I used to play in band with him. I felt nostalgia to hear sound of his handsome Rickenbacker bass again.

I will be playing this in July in my exhibition. It will be so exciting month.

Steinway Goodman

Library

I went to a Tsuzuki library here in Midori-ward. It’s interesting to realise that libraries have similar atmosphere everywhere, regardless of the country. I have always felt comfortable in libraries.

I borrowed the photo books, Tokyo Shitamachi 東京下町1930  (Kineo Kuwabara), Tokyo Aruki トーキョー・ アルキ (Araki) and Danshi 男子 (Ume Kayo).

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